Claude Bolling was quite a prolific recording artist. (He currently has 129 CDs alone listed on Amazon.) This album was the first of many classical/jazz crossover albums he released over the last 35 years. I have quite a few of them, most of which are LPs purchased back when they were originally put out, which is probably one of the things that attracted be to the Perlman/Peterson disc in the first place.
If you are so inclined this particular album was also released by CBS as part of their Half Speed Mastered series.
The following is an excerpt from Bolling's Amazon bio:
When the cheery opening bars of "Baroque and Blue" began emanating from radios and stereo phonographs throughout the U.S. in 1975, both Bolling and flutist Jean-Pierre Rampal quickly became household names among listeners who enjoyed both jazz and European chamber music as some of the melodies seemed to reflect the sunny influence of Jacques Ibert. The mingling of these currents worked nicely on the album Suite for Flute and Jazz Piano Trio, and the record sold well, not least for its clever cover illustration depicting an anthropomorphized piano and a substantially upsized flute relaxing together in a hotel bed. The fact that the flute was blowing smoke rings gave the entire picture a humorously post-coital twist.
Bolling returned to the jazz/classical format many times, teaming up with a series of star soloists including guitarist Alexander Lagoya, violinist Pinchas Zukerman, trumpeter Maurice Andre, cellist Yo-Yo Ma, flautist Elana Duran. and pianists Emanuel Ax and Jean-Bernard Pommier. Bolling's two-piano inventions were composed in sonata form, and a "Suite for Piano and Chamber Orchestra" also emerged from his fertile imagination. In later years Bolling collaborated with jazz violinist Stéphane Grappelli and vocalist Guy Marchand, hosted numerous tributes to Duke Ellington and led a successful big band. His perseverance and longevity were rewarded with renewed interest in his many accomplishments, including of course Les Parisiennes, whose complete works were reissued shortly after the turn of the millennium in several eye-catching retrospective collections. ~ arwulf arwulf, All Music Guide