Hi everyone, I'm back. I have to admit I'm surprised. I thought you guys would be in audio heaven. Of course the highest frequencies are the most critical when listening for every stage of the audio chain. In my opinion these charcoal cables are extraordinary though out the frequency range. The White cables to me were a little rolled off up there without the resolving power needed to hear say a single triangle in the mist of the orchestra. I also think the charcoal cables have a finer cleaner character. I know every thing is system dependent, but in my opinion hardness in the upper mids and highs may be elsewhere in the chain. Digital is very sensitive in this respect. If some wish I can change the cables to change the high frequency character, but I don't recommend it. Copper cables sound smooth and cover over many equipment flaws, but the sound is also covered, and not very revealing in my opinion. I worked hard to perfect these cables as you have read from Rmacklin. To me the ability of these cables to resolve the being at the recording session with lush smooth musicality especially in the vocals makes these cables very remarkable.
Grover-
I think those that are enjoying the cables may be using tubes or have a system that matches up well with the character of the cables.
I do have other tubes I can use to tame things down, but I am not sure I wish to start that merry go round. I like the Amperex 7316's I am using due to their extraordinary balance and clarity without glare. Their reputation as a reference tube is well deserved.
As far as assigning causation to "something else in the chain"..........
I have used all silver IC's for years. My system is quite similar to many here and the amps/preamp/speakers are voiced quite neutral to slightly warm.
My modded source measures as flat as anything Paul Weitzel ever created at TRL.
In addition I have extensive room tx and AC power filtering-all the usual stuff we obsessive fools do.
My system is inherently warm/analog sounding.
I just think the IC's are slightly forward (there is complete consensus on this point), and they border on too hot for some tastes in the treble.
I am going to give them a couple more weeks of break in to see if they work out.
They are quite good without a doubt in many ways. The midrange on down is excellent.
You state you have voiced them differently in the high end.
It appears some people love that and some who have your previous versions are not so sure.
Can't please everybody, especially in this nutty group.
Best regards.